Often when we are working in class, pulp looks like food. Jean Funcke has some pinkish pulp that is so similar to cake icing that I wish someone had brought a birthday cake to class. Let’s take a moment to review why we even took this photo.
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Patricia LaPointe is constructing an object out of cotton pulp and an underwire structure. First placing a “de-constructed brassiere” on synthetic silkscreen material and outlining the shape with wet cotton pulp, she builds her shape.
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Waverly Liu printed an etching plate on thin sheets of abaca paper. The etching plate of the figure is larger than the plate. Thin abaca paper holds up to the etching printing process which requires dampening and drying. The prints are not flat but have a nice texutre and hold a plate tone as as background tint.
Jean Funcke made an accordion book by couching two sheets of handmade paper with pieces of ribbon between the two sheets. Once the sheets have been dried, they can be folded to create an accordion book. Note the texture of the paper that she used. Her paper is a mix of cotton fiber and cooked straw.
Often, in class, the question is posed. “Is this pulp beaten enough?” Often my reply is, “It depends” In Andrea Brdek’s case, this pulp is almost ready for what she wants to do.
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Amanda Larson, a student working with Professor Mary Hark from the Design Studies Department is working on a large screen type installation using abaca pulp in the paper mill. Below are some process photos as she is building her pieces.
This is a detail of the piece. Continue reading…
Today we moved outside to form a large sheet of paper.
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